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The art and Mughal style of structure of the Jal Mahal are beautifully designed by the builders. These are unique in style and construction. The walls of Jal Mahal were constructed with lime in those days but even today one can see the brightness of the walls. This pleasant building 'whose water and air are refreshing like paradise', was got constructed by Shah Quli 'Khan in 1591 A.D. This is stated in an epigraph set up there. Standing in the centre of a large tank, now dried up, and approached through a causeway, this 'pleasure house' like a small palace in a tank is surmounted by five kiosks, the larger being in the centre and the remaining at the corners.

The under side of the recess, a arched passage, enhances the beauty of the tank (dried up) and gives it a fairy land charm. Of the large garden) which was laid out around this baradari exists no trace here now.

On account of its eminent location, isolated identity and haunting appearance, it can hardly escape the attention of a visitor to the town of Narnaul. It is, therefore, called the 'signboard of Narnaul’. It looks like a haunted fairy place of the old folk tales.

It was constructed by Jamal Khan, an Afghan, as his tomb, Though the date of the construction is not known, the pointed archs with the S-curves as well as other details of construction, put it coeval with the tomb complex of Shah Wilayat. Today, there are graves inside. It is said that for long it remained a hide out for thieves and highwaymen and that may account for its present name, Chor gumbad.

It is a big square monument with single chamber inside. It seems double storeyed from the outside, as the second level is obtained by way of providing an open verandah running around. The wide low dome and ogee archs and some other features of architecture, place it in point of time with the tomb of Shah Nizam and old parts of the adjoining Madarsa built in 1357 A.D. in the Tughluq style.

The passage running in the thickness of the walls may baffle the visitor, with its twists and turns. It is, therefore, called 'Bhul-Bhuhaiyan', a maze.

This spacious building, built by Ray-i-Rayan Mukand Dass, the Diwan of Narnaul, during the reign of Shah Jahan (1628-58 A.D.) is dexterously planned and embellished, though its exterior is unostentatious and drab. It is a five storeyed structure with several halls, rooms and pavilions. The entire planning and the remnants of the interior decoration show ambitious intentions. The extensive open terrace on the south, light elliptical pavillions on different levels, halls on pillars and running verandah around a central court, once adorned with a marble fountain, impart to it spaciousness and light. The profuse use of marble for veneering and pillars and brackets, provided with artificial cataracts and drains, might have been cosy retreat during the tropical summers.

In the south-eastern corner on the terrace, there is a dilapidated Well, from which the water was raised into reservoirs, at various levels, through the Persian wheel to supply all the storeys. An exquisite isolated gateway-complex, well provided with projecting balconies and marble veneering stands a few metres to the west of the palace. This is said to have been the main entrance to the complex The intervening space is now being separated by jerry-built modern constructions.

Legend has it that the building is equipped with four underground tunnels leading to Jaipur, Mahendragarh, Delhi and Dhosi. People believe that a marriage party once went down the tunnel leading to Delhi and was not heard of again. It said that Akbar and Birbal visited this town and that is why Chhatta Rai Mukand Das is also popularly known as Chhatta of Birbal.

At a small distance from the Chhatta lies the Sarai Rai Mukand Das. The building bears an epigraph, which says that, during the reign of Shah Jahan, Rai-Rayan Mukand Das, a servant of Nawab Asif Khan, built the lofty building of caravanserai under the super vision of Mehta Puran Mal Hari Dass.

The tomb of Shah Wilayat stands beside the mausoleum of Ibrahim Khan. It is a big tomb-cum-collegiate complex, which incorporates within it a long tradition of architecture ranging from the Tughluq to the British period. Much of its originality is marred by later constructions. Originally the tomb and the adjoining complex were constructed during the reign of Feroz Shah Tughluq. The author of Gulzar says that the eastern colonnades and the dome were erected by Alam Khan Mewari (in A.H. 760, A.D. 1357), and part of the enclosure was also erected by him.

Tughluq style of architecture. The archs have the ogee curves after the fashion of the time. The tomb itself is surmounted by a hemispherical dome, crested by a fineal of the Pathan style. The interior of the dome is a perfect square and has some paintings, which are of much later date. Its two enclosures were constructed towards the end of Mughal time. A part was even added in the British period.

The inscription in Persian verse over the doorway registers the date of demise of the Turkish saint in a chronogram as well as in figures, i.e. A.H. 531.

Sher Shah Suri (1538-46 A.D) had his tomb built in honour of his able grandfather, Ibrahim Khan, who served as an officer of the Lodhis at Narnaul. The monument was constructed under the supervision of Sheikh Ahmed Niyazi. There are two small graves along with. the grave of Ibrahim Khan inside the building. The tomb is a perfect example of the square tomb of the Pathan style characterised by its massive outlines, exquisite details, and pleasing interplay of colours. The creation, of a high terrace, double Storey simulation, bold archs, low domes, beautiful kiosks on curved pillars, selender turrets (guidastas), and elegant merions, give it. balanced strength and dexterity. The use of deep red, grey and white stone encaustic tile-work, painted ceiling with excellent brush work and subtle lapidary give it a richness which is unique among such buildings in Haryana1.
The place is situated at a distance of 3 kilometres from Narnaul. This is the place where freedom fighters sacrificed their lives against Britishers for the sake of the country. There is a historic park laid out in the memory of freedom fighters. It is believed that the land of this place became red due to the blood of the freedom fighters.
The Ain-i-Akbari and travelogue of Latif, tell us that. Shah Quli Khan1 had erected splended buildings, and large tanks dug and laid out beautiful gardens at Narnaul. Later, he had built for himself a fine mausoleums2.

He laid out a beautiful garden and named it Aram-i-Kauser, of which today only the enclosure walls, a well and the gateway complex stand. Inside this garden, which is currently under cultivation, stands his tomb built in 1578 A.D. It is a small but a fine monument, constructed in bluish grey and, red stones, on An octagonal plan, which was another variation of the tomb style of the Pathans.

The Tripolia Darwaza was constructed in 1589 A.D. as main entrance to his garden by Shah Quli Khan.

 
       
 
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